I hate being silenced when I try to talk about it.
… and often treat you as if you have no feelings, when the opposite is true. Just because someone has difficulty expressing emotions does not mean they do not feel them very deeply, or even more deeply than the average person who was not abused.
If you’re a student in one of the black schools here and you get into a fight you’ll probably get arrested and charged with assault. We have kids here who are barred from voting before they’re even old enough to register.
A black (male) protestor/resident of Ferguson, as quoted in Newsweek.
Here is where the “talking-head”/op-ed bent of our media and culture has failed us. While they all want to bemoan the “12% voter turnout at the last election,” no one has the sense to ask about the structural forces that contribute to that low figure. Instead they (and I’m including Al Sharpton in this category) yell at black voters to do their part, or, when they’re being nice about it, try to get protestors to register to vote. But listen to those protestors who cannot vote. They’re telling us they never stood a chance.
See also: It’s a privilege to throw out “Just go vote! Get your voice heard!” because everybody doesn’t get that.
y’all try to find the tiniest reason to not support sj/feminism like “oh wow a troll blog once said eating chinese food is cultural appropriation haha sorry i guess i don’t support trans rights at all anymore”
Over the first half of the 19th century, up to a million slaves were transported into the Cotton Kingdom from the older slave states (the origin of the saying “sold down the river”). Shipped in barges, or marched southwest in chains, slaves were ripped out of their social worlds, alienated from the learned skills and bodily traits that had enabled them to survive in Virginia or Kentucky. The masters tried to un-people these slaves, to reconstruct them in a form dehumanized enough that they could be moved from place to place and fitted into the production process just like any other commodity. To do so, as Johnson explains in one of many resonant examples, they kept their slaves awake. Sleep deprivation was a technique of power, “implemented,” Johnson writes, “as an offshoot of bizarre anthropological theory.” Johnson goes on to quote a contemporary source, which held that it was “common opinion among the people that the Negro requires less sleep than the white man.” Sleep deprivation was one of any number of techniques “by which human life was turned into cotton: the torturous conversion of labor to capital, and of living people to corpses.” Slaves were physically reconditioned for cotton-field work and for the noxious health conditions of the lower South—a process masters called “seasoning.” Planters exchanged tips in trade journals for tormenting the bodies of slaves until they were properly fitted to the cotton production system. Slaveholders didn’t just tell slaves what to do; they managed their bodies—“a recoordination of nerves and muscles, eyes and hands, which extended their dominion beyond the skin of its subjects, into the very fabric of their form.”
So when Miley Cyrus or Katy Perry bring black girls on stage, dance with them, acknowledge their figures- it’s offensive and appropriating. But, when Nicki Minaj makes an entire video focusing around black girl’s asses and asserts her power, reduces these women to objects and flaunts her authority it’s YAAASSSSS NICKI SERVE IT. Is that because she’s black? So it’s okay for people of the same race to dance with each other but someone who does not share the same levels of melanin enters the picture, they’re doing something wrong? …idgi
You’re completely ignoring context. In Lily Allen’s Hard out Here video, she literally says, “I don’t shake my ass cause I have a brain” as Black women shake their asses in her video. She is literally degrading the Black women who shake their asses in the media. The song also uses references to Black rappers (i.e. the title of the song referencing the rap song “Hard out Here for a Pimp” and her lyric “bragging ‘bout my cars or talking ‘bout my chains”), suggesting that Black rappers are more sexist than white male musicians (which isn’t true, there’s lots of sexism in all music genres) and also suggest the source of sexism in the music industry is Black people (Black male rappers and twerking Black female dancers).
In contrast, Nicki Minaj is reclaiming a song (Baby Got Back) that was made by a Black male rapper who celebrated (but also objectified) Black female bodies. Throughout her song, Nicki raps like a man would, talking about her sexual conquests with men and the size of their dicks, almost as a way of doing to men what they have done to women (objectifying their dicks as Sir Mix A Lot objectified Black women’s asses and many other men objectify women’s vaginas). She also brags about her sexual prowess and stays in control and aggressive in the video (she goes as far as cutting a banana representing a dick and slapping Drake’s hand away—the video critiques the male gaze). The target of mockery and disparagement in Nicki’s video is men and the male gaze, and the video works to reclaim agency from it.
In what way is Nicki asserting power over her dancers? In her video, she twerks along side her back up dancers and dances with them and interacts with them on the same level. She is just as scantily clad as they are. Lily Allen, however, stays fully covered in her video, does not dance provocatively, and thus contrasts her own pure and respectable femininity with the Black women, using their twerking and scantily clad bodies as an example of “bad” female sexuality and femininity—of women “objectifying themselves.” This is racist because it frames Black female sexuality as lesser than white femininity and antithetical to feminism.
In summary: Nicki’s video is very much a celebration of female Black beauty and sexuality coming from a Black woman. Conversely, Lilly Allen’s is using Black women as props to frame them as a vile or bad form of sexuality or being too sexual to prop up her own feminism.
So you might say, “what about Miley Cyrus? she twerks along side her Black background dancers too!” But here’s the problem: Miley Cyrus continually appropriates Black culture and also uses Black women as props. It does matter that these artists are white because in these cases the point of including the Black women is either to, in Lily Allen’s case, offset Black sexuality/femininity as too sexual or bad in comparison with her white femininity/feminism, or, in the case of Miley Cyrus, to get “street cred” and exotify her own sexuality by appropriating Black culture and using Black people as props to do so. See this analysis of Lily Allen’s Hard Out Here video and this analysis of Miley Cyrus by Black people who know a lot more about this than I do.
I haven’t seen anything about Katy Perry using Black dancers. I’ve just seen criticisms of her appropriating AAVE and other PoC cultures. I’m not sure why you brought her up, but maybe I just haven’t seen the videos in question.
Either way, it’s not like white artists having a diverse cast of back up dancers is a bad thing automatically. Here is an example of a white artist using back up dancers of other races without objectifying them: https://www.youtube.com/watch?v=8Ilh1ewceco (notice this artist tackles the same issue as Lily Allen—sexism/objectification in the media—without being misogynist and racist toward other women). But the examples of Lily Allen and Miley Cyrus ARE racist and Nicki Minaj’s video isn’t the same as theirs.
Nicki features twerking girls in her Anaconda video and people call it “pornographic and inappropriate” but Taylor Swift uses black girl’s asses as props and people see it as ~quirky and cute~ I’m so sick of this earth
Submitted by Anonymous
YESSS!!!! (via shitrichcollegekidssay)